Renaissance Classicism and Eighteenth-Century Neoclassicism

Renaissance Classicism was a modernizing movement that known the improvement of life, society, and also the arts of the new class of merchant princes who sponsored it.

In architecture, the economy from the city-states did not allow for extensive building projects. Buyers in fifteenth-century Italy were, therefore, usually content on the remodeling of existing buildings to give them a veneer of classicism. Alberti developed the Palazzo Rucellai, a brand new building, for Florence's Medieval streets wherever space was at a premium. Previously, this sort of buildings had been primarily horizontal in emphasis. But classicism implied greater verticality, and Alberti's building met this requirement with the software package from the classical orders for the facade from the palazzo. Pillars had been largely regarded ornamental, and Alberti reduced the Greek orders for the pilasters that he placed among each, Roman-arched window. The building's surprising verticality derives during the careful balance among the vertical and horizontal members.


the placement from the bays as well as the careful management on the entablatures, that are strikingly strong, give the building the appearance of 3 classical floors placed 1 on top in the other. The result is that the cornices don't look just to float, but to be supported by the successive orders and the arches.

Both Alberti and Gabriel utilized classical issues to give unity and beauty to straightforward architectural blocks. They did not use classical architecture being a model, but being a source of things that provided an elegant articulation of architectural form, plus a beauty that spoke in the rationality that was prized by both ages.

The eighteenth century was the Age of Enlightenment wherever thinkers and artists attempted to rely on reason, instead of superstition as well as the received authority. The High Baroque and Rococo styles have been known with despotism plus a self-absorbed, shallow society. Neoclassicists, in art and literature, promoted a return to rationality of sort and of thought.

Kostof, Spiro. A History of Architecture: Settings and Rituals. Rev. by Greg Castillo. New York: Oxford UP, 1995.

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