. . . I am content when wakened birds,
Of blurred fields, by their sweet questioning;
But when the birds are gone, and their fond fields
Return no more, where, then, is paradise? (46-50).
The things of this world are value worshiping as well, and this is clear in the second stanza:
The bough of summer and the pass branch,
These are the measures destined for her soul (29-30).
The poem tells a composition in which a sophisticated and intelligent woman is at home on a Sunday morning, and as she lies in the sun she thinks about her beliefs an
The tune of paradise? And shall the earth
Deer walk upon our mountains, and the quail
Or island solitude, unsponsored, free
Stevens believes our blood volition not fail, and when it does not, what will result is enduring love, "Not this dividing and apathetic blue" (45).
The woman would like to find comforts in the sun, meaning in the warmth of fleshly pursuits rather than in the c superannuateder realm of worship in a church. This evokes an image of old religions, such as sun-worshipping, contrasted with the more staid worship of incumbent religion. Stevens finds a way to compare the old and the new: "Jove in the clouds had his in humanity birth" (31). This contrasts with the birth of Christ, who was born of a human mother and who gum olibanum has experienced the same birth pangs and previous(predicate) life as every human being. This god is thus more of our blood than any of the ancient gods ever were, for the ancients were separate from human beings by having had different and completely supernatural experiences. In later verses, the poet returns to the woman and finds her discovering Christ in nature:
At evening, casual flocks of pigeons make
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