Todd Mizera
Professor Ioannis Papazafiropoulos
COM 200
July 18, 2011
Mis intercourse in the Film Crash
In the 2004 film Crash (Haggis), several bouts are explored between peck living in a racially charged city. while the conflicts occur at worldly concerny levels between many raft throughout the film, the most frustrating to watch as the knockout is the conflict between Daniel Ruiz, the intertwinesmith, and Farhad, the shop owner. The conflict escalates as communication between the two breaks down over a address barrier. Eventually, we see the conflict increase to the point that one man feels his except recourse is armed retaliation against the other.
The conflict begins as Daniel responds to a locksmith call at Farhads shop. Daniel replaces a disturbed lock on the shops back door, only tries to explain to Farhad that the door itself is the problem, not the lock. Farhads English is not fluent, and he doesnt understand Daniel initially, but decides after deciphering Daniels warning about the lock that Daniel is trying to cheat him. The conflict becomes a heated argument as Farhad refuses to pay for a door not fixed while Daniel explains that he only fixes locks, not doors.
The ultimate result being the unfixed lock leaves the shop exposed to thieves who ransack the place leaving Farhad without an income root for his family. farhad decides the only justice is to gun down Ruiz for the loss Farhad believes he caused by not fixing the door.
In examining how the conflict ability have been resolved, its important to look at the communication styles of each participant. When we first see Daniel earlier in the film, he is being verbally disrespected by a rich and racist client who believes he is untrustworthy, and possibly a gang member. As this scene unfolds, we see Daniel finishing the locksmithing job quietly. Researcher Kathy doctor might initially classify him as having a motionless or submissive communication style (Sole, 2010, sec 9.4...If you penury to get a full essay, order it on our website: Ordercustompaper.com
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