The exploration of action in the Margins acts as a catalyst for revealing a composers concerns and ideas in a text. contextual influences can shape the values within the text, posing a diverse representation of cultures. The texts 1984; The Golden Age, Mending W totally and Maralinga all express their composers concerns with the marginalisation of individuals. The texts raise questions about humanities flaws in marginalising pockets of society that may challenge the status quo. Marginalising acknowledges difference, whether this is appearance, values or beliefs and the imposed disparity of this is a cause for concern. Each of the texts draws upon personal, social, diachronic and cultural contextual influences in shaping its ideas about Life in the Margins.
Orwells dystopic fiction, 1984, is set in a office World War II context and draws upon aspects of totalitarian societies such as Hitlers Nazi Germany and Stalinist Russia that emerged during this time period, to argue how marginalising individuals can only amount to a sad draw for mankind.
Set in London, Orwell draws on his experiences of the dismal greyness of the metropolis in WWII and modern Russian cities with their Victorian ostentation and disintegration slums, to portray a dank a decrepit society. The sensorial imagery in the opening paragraph positions the reader to sympathise with those marginalised. The protagonist, Winston, lives in a world smelling of boiled excoriation with swirling gritty dust and no colour in anything. The symbolization of the clock striking thirteen also reminds the audience of the ambiguity surrounding those who are marginalised and have many freedoms taken external or destroyed. Orwell quickly establishes an oppressive atmosphere within Oceania, germane(predicate) to his context, displaying that Life in the Margins is a half-life...If you want to get a full essay, order it on our website: Ordercustompaper.com
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