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Friday, April 5, 2013

Georgia O'Keefe's life and artistic interests.

Georgia OKeefe-Perspective and Vision

Georgia OKeefe, through the riding habit of charcoal, water people of colour, pastel, and oil, blends abstraction and representation to form what she refers to as that memory or dream thing (OKeefe); she created works which were in full of emotion and from which deeper meanings could be interpreted, such as sexuality and statements of muliebrity (which she subsequently denied). She worked on two different but inter-related spheres: Abstraction, and landscapes. She monumentalized her subjects: her Abstractions were really distinct enlargements of leaves, shells, and flowers; her flowers were filled with an erotic tension and held a dynamical energy. Her landscapes were taken from her view of Lake George (NY), tonic Mexico, and New York City; her New York Cityscapes portrayed a subtle beauty that coexists with the harsh industrial city setting. Her work is strong partially, if not mostly, due to her design of color and her integration of photographic effects. She used color as emotion, searching for the perfect colors to represent her forms was very of the essence(predicate) to her. OKeefes also took photographic advancements of her time, and adapted them to suit and enhance her paintings; transferred such innovations as lens flare, panoramic lens, and halation to the medium of paint. Through the use of all these techniques and focuses she fought to make known the unknown.

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I personally am oddly stimulated by OKeefes use of close-up perspective, color, and her self-criticism. Her frequent use of subject matter in the close-up perspective interests me very much; I have recently begun to pursue and enjoy this experimentation in perspective myself, and her successful use of such intrigues me and encourages me to continue my explorations of magnification. She uses color in such a harmonic and subsequentually beautiful charge that its quite amazing to me. She would often hold an image...

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