The Success of Michael Crichtons Novels in the Media Industry
        One only has to look at the astonishing commencement weekend of Paramount Pictures action back thriller Congo which was universally panned by critics, to be reminded of the power of the individual who created the underlying material: Jurassic Park author Michael Crichton. The films banging $24.6 million opening, which shocked insiders, underscored the value to Hollywood of an exclusive bludgeon of vanquish-selling writers (Eller 3).
        Michael Chrichtons novels all have their similarities. He seems to follow a pattern which is working very well for him. He picks a hot-button subject and uses it to lend his novels a glossy veneer of topicality. He casts his novels with some really detestable villains so attentive readers volition automatically know who to root for. He ends each chapter on a scary, cliff-hanging note to make sure that readers volition keep reading, regardless of the characters vapidity. He includes many frantic copy scenes or race-against-the-clock scenes that will translate graphically onto the screen. He puts softwood of technical, pseudo-specialist talk into his characters mouths to give readers the illusion that theyre learning something as they cursorily flip the pages (Kakutui 3).
        Michael Crichton has definitely made a boom in the entertainment industry.
Whether it is his top grossing movies or his top rated television shows analogous E.R. which took a leading twenty prime-time Emmy nominations last year including best drama (Carter 23).
        Crichtons latest movie Congo, which had a great opening weekend, was one of his successes. This movie was based on a hold that Crichton wrote in the early 80s, long
before he became the entertainment powerhouse that he is now. Chrichtons novels seem to be written for big screen translations (Brom 14). Publishers pronounce that they cant recall a time since Jaws...
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