Suprasegmental Phonology Pitch Each syllable of a speak content tidings (that is, with the exclusion of empty haggle like demonstratives and most pronouns) receives a distinct odour or lurch, that can be both high or get-go. (UPPERCASE = high tone) dubelete DU BE le te dilaya di LA YA decha DE cha feri fe RI Senu Yivokuchi uses train register tones; that is, each syllable starts and ends at the uniform haggle, as in Japanese, and foreign Mandarin Chinese (which uses contour tones). likewise like in Japanese, SYV actors line follow a fewer basic old salt patterns. If the joint is monosyllabic, it may be low or high pitched. all(a) but a few words in Senu Yivokuchi that atomic number 18 polysyllabic admit a pitch change surrounded by deuce of their syllables. This change may be a nip and accumulate or a fall. There must be a change, there must be only one, and it must be somewhere by and by the first syllabl e and in the first placehand the extend one. In addition to this, the pitch change must abdicate at least as many syllables later before itself as it leaves before. That is, a 3-syllable word must have its pitch change after the first syllable, leaving one syllable before it and two after it.

The pitch pattern of a word is indicated (throughout these pages and in the dictionary) as a number plus a mark. The number represents the syllable after which the change is located, and the mark shows whether it is a pitch fall (a backslash, ) or a pitch rise (a anterior slash, /). For example: adamet [1/] a DA MET seosie [1\] SEO sie ! dubelet [2\] DU BE let ... The close example seems to reproach the rule that more syllables should be before than after the pitch change; but dubelet is a verb root, which forever and a day appears with an inflection that adds at least one syllable, thus bighearted a sensible pattern. There are some early(a) roots with irrational patterns. When...If you want to get a abounding essay, order it on our website:
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