'Analysis of the Significance of Othello’s last speech Essay\r'

'This dwell savoir-faire of Othello is his way of expressing to viewers how he would harbour liked them to see the events of the play. However, his speech, albeit elegant and characteristic of Othello’s extravagant and Romantic use of language, is flawed, ironic and thus it is impossible to see the events of the play in the decrease that Othello would like us to. His account is merely how he would like the au functionnce to view the play and non necessarily how the events of the play have indeed unfolded.\r\nOthello is a man very conscious and in somewhat ways obsessed with reputation. He himself is aware of this, as shown in the antecede lines: â€Å"I pray you, in your letters, / When you shall these unlucky deeds relate, / Speak of me as I am”. Aware of the importance of opinion, which is inevitably abnormal by one’s reputation, he speedily jumps to tell people of how he would like to be remembered. With this obsession with reputation, it is already clear that Othello has a plastered motive to put a positive reel on his actions. Indeed, his preoccupation with his reputation and public photograph was one of the reasons that he killed Desdemona. Also, it is Iago’s reputation as an honest man which allowed him to deceive Othello without Othello at one time inquiring his words. Thus, Othello has a strong motive not to draw himself as he really is, still how he would want us to see him and so it is already possible to see that his account of his behaviour whitethorn not necessarily be an true one.\r\nThe preceding lines state that he tells the others to â€Å"speak of me as I am”. However, there is great irony in this statement as he immediately goes on to misinterpret himself and his motives in order to retain his noble and righteous reputation. He says that he is â€Å"not comfortably jealous”. However, the notion that green-eyed monster has the power to set aside is a substantive theme of the pla y. His jealousy that Desdemona major power love Cassio is a major part of his downfall. notwithstanding claiming to be one not easily jealous, not only is his better judgement right away kill by his jealousy when Iago first begins to make the allegations, but he lets his jealousy take over and his jealousy begins to control his actions.\r\nAlso, he says that he has been â€Å"wrought, / Perplexed in the extreme”, and although it is undeniable that he has been deceived by Iago, as mentioned above, he lends himself to being â€Å"wrought” as quickly realises that Othello’s jealousy is his weakness. With Iago quickly realising very archaean on in the play that jealousy is Othello’s weakness, it is obvious that it is simply a mere campaign to keep his reputation intact that Othello denies that he is not easily jealous and that the opposite is true.\r\nOthello also claims that he is one who â€Å"Drops tears as fast as the Arabian trees / Their medicina ble gum” However, Othello was so consumed by jealousy and thus anger that, although he did love Desdemona, he showed little emotion immediately after kill his wife. He had already set up the take out in an writ of execution-style cleanup spot, and was not sorry afterwards until he had found out that he was in incident wrong. Again, we see another misinterpretation by Othello in an attempt to Romanticise and justify his actions.\r\nOthello likens his action of cleaning Desdemona to that of an â€Å"Indian, [throwing] a free fall away / Richer than all his phratry”. Although this is a beautiful metaphor indicative that Othello has once again returned to his mastery of language, it fails to encompass the cruel and down in the mouth action that Othello had just carried out. Desdemona is represented by the pearl and so once again, there is a scriptural resonance, with the pearl, being perfectly spherical and white, representing Desdemona’s probity and perfec tion. Again, we see Othello downplaying his own actions and representing a gruesome execution with beautiful imagery. Thus, it is very difficult to see the modulation as anything but an attempt by Othello to die with some honour and reputation. Despite being fill with beautiful and heroic language and imagery, the passage is ultimately contradictory and misleading and in the end, not an accurate description of the true events of the play.\r\nThis passage is especially significant in relation to the play as a whole as it is the characteristic â€Å"recognition speech” of a Shakespearean tragedy. Having finally realised, albeit too late, that he has made a mistake for which he moldiness now live with, Othello has finally regained his natural superpower with language. No longer is he bumbling along muttering lines such as â€Å"O sea gull, fool, fool!”, but his language is once again reproducible and elegant. He has regained his composure and sets upon sentencing him self to death, through confessing and then killing himself. This action reiterates in the audience’s understanding the sense of tragical loss and thus ends the tragic play.\r\n'