The Subjection of Women Exposed in A Doll’s House Essay -- Henrik Ibse

A man, intoxicated and impoverished, lay on the dirty streets of paternal Norway, and as the jeering citizens sauntered by, they could flummox never guessed that this man, Henrik Ibsen, would be the Prometheus of womens rights and the precedent of the modern play. Having been born in 1828, Ibsen lived through various examples of the subjection of women at bottom the law, such as Great Britain allowing men to lock up and outfox their wives in moderation (Bray 33). Therefore, Ibsen was known for his realistic style of paper in spite of appearance both poetry and plays, which usually dealt with everyday situations and people (31). Focusing on the rights of women, Ibsens trademark was ...looking at these problems without the distortions of romanticism and often receiving harsh check for doing so (31). In an attempt to support his family, Ibsen became a pharmaceutical apprentice, however after three years he abandoned this profession and began writing poetry. After an a pprenticeship in the theater, he began writing his own plays, including a looseness in verse, Peer Gynt (31). While working and writing in Norway, Ibsen and some(prenominal) social critics observed ...the penalty society pays when only half of its members take part fully as citizens, deciding to flee Norway in hopes of finding a more accepting social environment (33). Ibsen wrote A Dolls House, his most famous work about women suffering through the tyrannic patriarchal society, while living primarily in Germany and Italy where he ...was receptive to these social norms and tensions to a much greater extent than he would have been had he remained solely in Norway (32). While Sweden, Norway, and Denmark began to grant legal volume to women, Ibsen understood the legal improvements f... ... DE Prestwick House Inc. Literary Touchstone Classics, 2006. Print.Mill, John Stuart. From The conquest of Women. England in LiteratureMedallion Edition. Ed. Helen McDonnell et al. Glenvie w, Il. Scott, Foresmanand Co. 1979. 436-439.Secondary SourcesBray, Ashlin Ed. Biography of Henrik Ibsen and Fact piece of paper of Womens Progress. In Multiple Critical Perspectives A Dolls House. Clayton DEPrestwick House Inc. 2007. 31-34. Print.Orjasaeter, Kristin. Mother, Wife and region Model A contextual perspectiveon feminism in A Dolls House. Ibsen Studies Tahlor and Francis. Ltd.2005. 19-47. Print.Scott, Clement. Review of A Dolls House. The Theatre 14.79 (July 1889)19-22. Rpt. in Twentieth-Century Criticism. Ed. Paula Kepos. Vol. 37.Detroit Gale Research. 1991. Literature Resource Center. blade