Each painting depicts Provençal peasants immersed in smoking their pipes and playing cards. The subjects, all male, are displayed as studious within their card playing, eyes cast downward, intent on the game at hand. Cézanne adapted a composition from 17th-century Dutch and French genre painting which often visualised card games with rowdy, drunken gamblers in taverns, replacing them instead with stone-faced tradesmen in a more simplified setting.
[2][3] Whereas previous paintings of the genre had illustrated heightened moments of drama,[4] Cézannes portraits have been noted for their lack of drama, narrative, and conventional characterization.[5] Other than an out of work wine bottle in the two-player versions, there is an absence of sop up and money, which were prominent fixtures of the 17th century genre. A painting hung in an Aix-en-Provence museum, near the artists home, by one of the Le Nain brothers that depicts card players is wide believed to have been an inspiration for the works by Cézanne.[6][7]
The models for the paintings were topical anesthetic farmhands, some of whom worked on the Cézanne family estate, the Jas de Bouffan.[6] Each scene is depicted as one of quiet, still concentration; the men consider down at their cards rather than each other,...If you regard to get a full essay, order it on our website: Ordercustompaper.com
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