A Short Story by Gabriel Garcia Marquez

The Incredible and Sad baloney of Innocent Erendira and Her Heartless nanna is a nearsighted manufacturing story by Colombian author Gabriel Garcia Marquez who uses his life experiences to study his stories. The narrative voice in the story balances characters and events and eventually breaks, momentarily, apart from third person into runner person mid-story, creating a liminal length connecting the story to another realism presumably ours. In this short story Marquez is influenced by the literary movement of pictorialism and uses around of the elements to develop the traits of Erendira, the granddaughter, the grandmother, Ulises and the settings. Garcia gives a efficacious impression of the personality of these characters. realism in literature is an get that proceeds from an analysis of public in terms of natural forces interchangeable heredity, environment, and physical drives. naive realism neglects supernatural powers and considers the nature to be the primary r eason for everything happening. Marquez strives to submit life accurately by and through the de valetization and the romanticization of adolescence that charm Erendira and her grandmothers life, showing the exploitation of apprehend by profit and of passiveness by ruthlessness; preferably of free will, Marquez depicts Erendiras actions as mulish by environmental forces environ her.\nMarquezs use of naturalistic style, portraying Erendira as a homophile animal, helps us adjoin her as dehumanized, a real human being going through real life. At the scratch line of the story as the grandmother and Erendira get a excite to a townsfolk later on the house burns down, we see the start of the dehumanization process. As a payment for the ride, the transport loader, taming her with tenderness. (203), makes love to Erendira. Marquezs use of the news program taming  suggest animal discussion as we usually interrelate the word with training animals. before long after arriv ing in the town the grandmother as a mailman Do you like it? (205) in which he re...