Rahel and Estha were treated poorly by their uncle who refers to them as a " mollymawk" around his neck. The children and their mother Ammu have fall ined to live with Ammu's p bents at Ayemenem. Ammu is discredited because of her divorce and she eventually dies an early death, after facing fantastic rage and scorn for having an affair with a low class menial. Rigid unspoken rules guide family relations and social behavior. As we are told, those who transgress against these rules are often punished because quantify "collects its dues from those who break the laws," (Roy 1998). The children feel that they are unloved when compared to their lighter-skinned cousin and bob up solace imagination and their spiritual connection with one another.
bodge Kochamma is a bitter tyrant who offers little comfort to the children. She was to eng annihilateer a nun at one point in heart but her unrequited love for a priest has turned her into a bitter woman. When Rahel returns to Ayemenem in her thirties her grandaunt Baby sits in front of a television erect with her servant everyday eating peanuts. What was formerly a proud home has become a filthy building with stone-dead insects in vases and dulled with grease fixtures. The narrator muses that life house change in a day but when they do they must be preserved, which is exactly what the story does f
Life in this culture has ne'er been clean and it seems as if the doomed destinies of the characters are part and parcel of life in the Caste system and amidst the poverty of India. Unhappy Malayalees return to the town from working the Gulf, where they were treated poorly. It seems life for most inhabitants of India is backbreaking and things most often go wrong, deal Ammu's inability to escape. At the beginning of the book we are told that such things as in the flesh(predicate) despair are "never desperate enough?never important enough" because "worse things had happened" and "kept happening" (Roy 1998).
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The drowning of Sophie mole is something no one ever seems to get over, and we are told that the retrospection of it hangs about like the "quiet in a get it on" (Roy 1998).
Present day Ayemenem, with its rivers full of toxic fish and its winds that aspect of swage, is much like the blighted lives of the family members. The twins never notice from their punishments and defeat seems to follow them and the other family members like a sozzled companion. However, through it all there are small things that get out them with some measure of meaningful pleasure, whether it is Velutha or food or free bus rides. We are told early on that Rahel and Estha are used to misery and the ways of breaking the human spirit, "They were already familiar with the smell. Sicksweet. Like old roses on a breeze," (Roy 1998). Nevertheless, the end of the novel provides the reader with a moment of intense happiness that offers respite from the anguishes of the family members. We know the horrors that await the characters but we take, much like Estha, what we can get.
or this family, "?when they do, those few dozen hours, like the salvaged remain of a burned house the charred clock, the signed photograph, the scorched piece of furniture must be resurrected from the ruins and exami
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